antique blue
antique blue
antique blue
antique blue
antique blue
antique blue
white ochre
white ochre
white ochre left to right: xxl, extra large, large, small, extra small
white ochre left to right: xxl, extra large, large, small, extra small
antique blue
antique blue
antique blue
white ochre
white ochre left to right: xxl, extra large, large, small, extra small

Lens Vase

Metal Vase (ID: A64791)
$140–$470
$470 $140 /
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The lens vase is ideal for ikebana flower arrangements. Its form contrasts a smooth, round, hand-inviting vessel shape with a torn opening from which flowers seem to explode. Each lens vase is a work of art on its own, but the understated design allows it to yield chief place to a flower arrangement. Each Lens Vase comes with an appropriately sized pin frog (kenzan) to allow you to use it for your own flower arrangements. Flowers shown are not included.

Lens vases are not cast in a mold. They are constructed one at a time from heavy brass sheet, with hand tools and traditional forming and forging techniques, and are patinaed by hand using traditional sculptural patinas.
  • Watertight
  • Signed by the artist
  • Materials: Brass
  • Shipping Charges are calculated for standard delivery to a single address within the contiguous USA and based on original prices, before discounts.
  • You may return or exchange any item within 14 days of receiving it (except for final sale items, ornament gift boxes, and custom orders). Learn More.
David M Bowman and Reed C Bowman

David M Bowman and Reed C Bowman

David M Bowman Studio
"Our sense of form and composition comes from close and long study of natural forms, architecture from all periods, the compositions of the masters of painting, and the work of other contemporary and ancient craftspeople. "

David M. Bowman Studio consists of two people: David Mills Bowman and his son, Reed Christopher Bowman. David and Reed craft most pieces together. They construct all pieces by hand, with hand tools and simple machines. No part of the production is ever hired out, nor does the studio take in work to produce or patina parts for other artists' designs. Wall pieces are one of a kind.

All of their work is produced from brass sheet and rod, formed into shape, and brazed together using an oxyacetylene welding torch. David and Reed mix patina chemicals from scratch and apply them by hand.

David began working in metal in 1971, near the time Reed was born; he first made silver jewelry, and later moved on to brass belt buckles, then to larger pieces in patinated brass. Over the years, David has worked alone or with different assistants, but he has worked exclusively with Reed since the mid-1990s.

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