Soudan 9
Soudan 9
ONE OF A KIND

Soudan 9

Oil Painting (ID: A109454)
Designed by Virginia Bradley
$3,800
$3,800 $3,800 /
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Oil on Dura-Lar, an archival polyester film. Ships in a tube.

The Soudan paintings were based on the recent geological findings in the Soudan Iron Mine in Tower, Minnesota. The found imagery from the minerals in the mine was a departure point for the abstract works. The ancient waters in the mine hosts organisms that formed 2.7 billion years ago, when a sea was thought to have covered the region. Geological formations found in the mine are similar to photographic imagery found on the surface of Mars. The chemical processes in the ancient waters tie to the artist's use of alchemy in her studio. She also has a personal tie to the Tower area as she spent many summers in nearby Ely, Minnesota.

The paintings use stretched transparent silk as a structure. The silk was used as a metaphor for the translucence of water. The oil paint is poured, pooled. and manipulated with brush work to form a frozen moment of chemical transformation.
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Virginia Bradley

Virginia Bradley

"The alchemical and physical processes of painting are the foundation of my creative practice. The studio becomes a laboratory for experimentation and the interaction of divers materials. This process enables me to continually arrive at new destinations until the paintings attain a higher level of physicality and contemplation."

Virginia Bradley is a distinguished American contemporary, abstract painter. Her research into natural phenomena, and geological and oceanographic formations serves as a starting point for her abstract works. Like an alchemist, she transforms the work through the use of diverse materials and physical acts. Virginia adds and subtracts into the painting surface by pouring paint, sanding, drawing, and printing while simultaneously experimenting with chemical reactions to the surface. Thus her studio becomes a laboratory for experimentation, an athanor for the interaction of diverse materials.

She repeats these processes until the piece evolves into a finished state of multiple luminous layers, referring to water, the richness of the air, the unknown, and attaining a higher level of physicality and contemplation.

Throughout her career, Virginia has received prestigious painting fellowships from the McKnight Foundation, Arts Midwest NEA, Minnesota State Arts Board, and the Lighton International Artists Exchange Program.

She has been honored to be a fellow throughout the world including at ACME Studios in East London, the London Zoological Society, Yaddo, Sanskrit Kendra in New Delhi, India, Fundacion Valparaiso in Mojacare, Spain, Ragdale, ant the Virginia Center of Creative Arts.

Her paintings have been widely exhibited nationally and internationally at venues like the Delaware Contemporary Museum, Blue Star Center for the Arts, Hoyt Institute of Art, Freedman Gallery (Albright College), Abington Art Center (Philadelphia), the Minneapolis Institutes of Arts, the Soap Factory, and the Florence Biennale (Firenza, Italy).

Her painting are included in many public and private collections. Prior to moving to the bucolic Berkshires, where her home and studio laboratory are located, she served as Professor of Art, teaching painting and drawing at the University of Delaware.

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