Fresh One
Fresh One

Fresh One

Art Glass Wall Sculpture (ID: A138749)
Designed by Michael Dupille
$1,200
$1,200 $1,200 /
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"Fresh One" is one of a series of oval shaped wall pieces using various methods of kiln fired glass techniques developed by this award winning glass artist and pioneer of the craft. The process starts with drawing on a base piece of glass and adding lines created with a glass paste then adding a center piece of reflective glass called dichroic which has a unique metallic coating. More paste lines and shapes are added to the base and the center piece is decorated with pre made clear elements laid in a pattern. The center portion is finished with various colors of crushed transparent glass which allows the metallic coating to show beneath the colors. The perimeter color is applied using crushed glass in two different sizes, fine and powder. The work is fired multiple times and more material is applied before each firing to give it a deep, rich quality. The panel is adhered to sheet aluminum with a hanging mechanism attached so it is ready to hang. This would be an excellent focal point or accent piece for any decor.
  • Signed by the artist
  • Materials: Glass
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Michael Dupille

Michael Dupille

"I enjoy seeing what materials combined with wry curiosity and imagination will manifest. I have been doubly blessed with a fertile imagination and the skill sets to self-actualize my ideas."

Dupille's imagery and concepts are mostly representational with imaginative twists. He targets ideas, concepts, and visuals which promote discussion and further the imagination of the audience.

Kiln-formed art glass is the artist's primary medium. Pieces are created as individual elements using fused crushed glass, fired multiple times in a kiln. The visual effect of the finished work has colorful, dimensional properties not found in other media. Dupille will occasionally employ metal work in conjunction with the glass art.

Primarily self-taught, Dupille worked with Boyce Lundstrom at the Camp Colton Glass Program near Portland, Oregon in the 1980s, developing many of the working methods of the kiln-formed glass movement. His contributions include pioneering the creation of imagery with frit and alternative mold-making techniques. He trained at Central Washington University as a painter, illustrator, and glassblower.

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