Small Black Totem III
Small Black Totem III
Small Black Totem III
Small Black Totem III
Small Black Totem III
Small Black Totem III
Small Black Totem III
Small Black Totem III
ONE OF A KIND

Small Black Totem III

Ceramic Sculpture (ID: A181501)
Designed by Larry Halvorsen
$1,800
$1,800 $1,800 /
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Each component in this striking abstract ceramic sculpture was press molded, carved and coated with black slip; its spacers were extrusion as a small tube and cut to length. Boasting a strong design as well as versatility, this work of art can be rearranged: resting on a circular oak base with a metal floor flange securely holding a copper pipe armature, this armature allows you to stack the pieces however you see fit, then close and tighten with an included pipe collar.
  • Matte finish
  • Ceramic: fired at cone 6, vitrified
  • One-of-a-kind piece
  • Signed by the artist
  • Minor assembly required: The copper pipe armature is securely attached to the wooden base. The ceramic elements and spacers are stacked on the armature. The rubber washer and pipe collar are slipped on the pipe and tightened.
  • Materials: Oak, Stoneware, Copper, Steel
  • Shipping Charges are calculated for standard delivery to a single address within the contiguous USA and based on original prices, before discounts.
  • You may return or exchange any item within 14 days of receiving it (except for final sale items, ornament gift boxes, and custom orders). Learn More.
Larry Halvorsen

Larry Halvorsen

Larry Halvorsen Ceramics
"My drive is the creation of the work—the new and undiscovered ideas."

Larry Halvorsen works with stoneware clay, constructing his pieces through a combination of hand-building techniques such as coiling, press-and-slump molding, and slab building. He coats the pieces with black slip, and then, using the ancient technique of sgraffito, he carves through the slip, revealing the natural clay beneath. His pieces are fired once to cone 10 (2300 degrees) in a natural gas kiln.

Halvorsen's influences range from ancient stone tools, ritual objects, and Celtic monoliths to the wondrous variety of form and pattern in nature. He was also influenced by the two years he spent in the Peace Corps in Central America, where he saw Pre-Colombian pottery, the Mayan sites of Tikal and Copan, and the highlands of Guatemala.

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