Good Day Beach Time

Good Day Beach Time

Good Day Beach Time

Good Day Beach Time
Good Day Beach Time
Good Day Beach Time

Good Day Beach Time

Art Glass Bowl (ID: A168537)
Designed by Karen Wallace
$1,200$960(20% Off)
$1,200 $960 /
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White caps on the ocean, shallow waves frothing and bubbling over sand, creamy sand dollars. The iridescent sparkle of the sun on water. Capture the summer forever with this large art glass bowl that will remind you of your favorite seaside memories.

Threads of black glass, scattered over creamy vanilla, one segment shining with iridescence. Gaze into the edge, and you can look under the black glass threads!

You'll want to run your fingers over the three-dimensional wafers of powdered glass.

Patterned glass cane is reminiscent of sea life: blooming anemones, coral reefs, fossils.

In one quadrant, taffy-like ripples of black and white float over a cyan sea. Across the bowl, stripes of parchmenty vanilla surround a floating block of melted and rippling cream.

On the back, strands of black glass and pebbles of blue glass are scattered. There's something new to see every time you look.

The glass cylinders in this bowl are murrini: sections individually cut from hand-pulled glass cane, which I create by heating glass to 1500 degrees and pulling it into rods while molten in a modern-day adaptation of the 16th century techniques of the Murano glassmakers.

Fused, cold worked, and slumped.
  • Signed by the artist
  • Materials: Glass
  • Shipping Charges are calculated for standard delivery to a single address within the contiguous USA and based on original prices, before discounts.
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Karen Wallace

Karen Wallace

"There is no such thing as too much color."

Karen Wallace loves color. This seems at odds with her medium of glass: a clear, transparent barrier between us and the outside, the heat, the cold, the rain, the dust; preferably so colorless and flawless that it disappears. But glass can also be vibrant and full of energy, and there is transformative magic in turning cold, sterile sheets of raw material into the complex motifs Karen favors.

Whether it's a modern-day take on the traditional murrine construction of sixteenth-century Murano, Italy, or carefully-engineered flowing and mingling, Karen enjoys creating special glass components and then designing her work around them. Elements of a finished piece have frequently undergone several firings on their way to the final artwork.

A computer nerd by vocation, Karen's glass journey began with stained glass. Feeling constrained by flat panes, she took a fusing class and got hooked on warm glass. Living near one of the country's preeminent glass teaching studios, she had the great fortune of learning from a variety of domestic and international visiting instructors as well the award-winning artist owners.