Walnut Pith

Walnut Pith

Walnut Pith

Walnut Pith

Bleached Wenge

Bleached Wenge

Bleached Wenge

Bleached Wenge

Gray dyed sycamore

Gray dyed sycamore

Gray dyed sycamore

Gray dyed sycamore

Bleached Purpleheart

Bleached Purpleheart

Bleached Purpleheart

Bleached Purpleheart

Bleached oak (top), bleached purpleheart (middle) and purpleheart (bottom)

Bleached oak (top), bleached purpleheart (middle) and purpleheart (bottom)

Bleached Oak

Bleached Oak

Showing Bleached Oak and Bleached Purpleheart

Showing Bleached Oak and Bleached Purpleheart

Purpleheart

Purpleheart

Walnut

Walnut

Walnut

Walnut

Russian Olive Burl

Russian Olive Burl

Showing Russian Olive Burl and Walnut

Showing Russian Olive Burl and Walnut

Ebonized apple wood

Ebonized apple wood

Ebonized apple wood

Ebonized apple wood

Walnut Pith
Walnut Pith
Bleached Wenge
Bleached Wenge
Gray dyed sycamore
Gray dyed sycamore
Bleached Purpleheart
Bleached Purpleheart
Bleached oak (top), bleached purpleheart (middle) and purpleheart (bottom)
Bleached Oak
Showing Bleached Oak and Bleached Purpleheart
Purpleheart
Walnut
Walnut
Russian Olive Burl
Showing Russian Olive Burl and Walnut
Ebonized apple wood
Ebonized apple wood

Half Cuff

Wood Bracelet (ID: A151034)
Designed by Griffith Evans
$114–$145
$145 $145 /
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Arrives in time for the holidays

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A striking piece for those who prefer natural and alternative materials, this steam-bent cuff bracelet is crafted from reclaimed wood.

The stunning piece is crafted from two sheets of laminated, steam-bent wood and finished with multiple coats of hand-rubbed varnish. Each is unique and will vary.

Available in three sizes: 6", 6.5", and 7". Please visit the video tab of the artist's page for additional information on measuring your wrist.
Clean with soap and water.
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Griffith Evans

Griffith Evans

"I build jewelry with sustainable woods for empowered individuals."

Griffith's early inspirations include curvilinear wood furniture and a museum collection of ancient jewelry crafted from bone, wood, and ivory. For Griffith, cutting open a log and seeing the exposed grain is one of the most exciting parts of the whole process. He strives to convey this excitement by crafting carefully finished, simple forms to celebrate the beauty of each piece of wood.

Griffith harvests trees in a water stressed orchard in New Mexico. He also barters with other woodworkers for their offcuts. Griffith's design process consists of sketching and working with paper models. Then wood is cut into thin strips, steamed, wrapped around custom-built forms, and clamped in place. Once cured, the piece is shaped by hand and undergoes a multi-step finishing process.

While finishing a BS in Industrial Design, Griffith's aesthetics were influenced by European professors and an internship in Switzerland. He soon realized that his true passion was handwork, and his preference for the plane over the pixel led him to complete a formal training program in Fine Woodworking and Professional Craft. He continues to develop by visiting the nearby Santa Fe galleries and by regular contact with fellow artists.