High and Low
High and Low-glowing
High and Low-glowing
High and Low
High and Low-glowing

High and Low

Art Glass Wall Sculpture (ID: A118959)
Designed by Michael Dupille
$7,125
$7,125 $7,125 /
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This unique wall piece is a sure conversation starter and focal point in any space. The title "High and Low" is a play on our universal relationship with lunar phases and their effect on tidal movements. Opposing nautilus elements anchor the moon imagery and support the concept. The work is created using several fused glass techniques developed by the artist. He applies crushed glass to a base piece of glass, places it in a kiln for firing to fuse the particles, and in the process develops a glass painting. The process is repeated until the final aesthetic is achieved. The result is a work with a depth, color, and vitality not found in other media.

This piece is beautiful on its own, but the artist takes it further by adding a glow-in-the-dark feature which is revealed when the lights go out. He has outlined the lunar phases with a special glowing glass.The piece is mounted on a sheet aluminum backing with an easy-to-use hanging system built in for simple hanging installation. Easily maintained and cleaned with glass cleaner and a soft cloth.
  • Materials: Glass
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Michael Dupille

Michael Dupille

"I enjoy seeing what materials combined with wry curiosity and imagination will manifest. I have been doubly blessed with a fertile imagination and the skill sets to self-actualize my ideas."

Dupille's imagery and concepts are mostly representational with imaginative twists. He targets ideas, concepts, and visuals which promote discussion and further the imagination of the audience.

Kiln-formed art glass is the artist's primary medium. Pieces are created as individual elements using fused crushed glass, fired multiple times in a kiln. The visual effect of the finished work has colorful, dimensional properties not found in other media. Dupille will occasionally employ metal work in conjunction with the glass art.

Primarily self-taught, Dupille worked with Boyce Lundstrom at the Camp Colton Glass Program near Portland, Oregon in the 1980s, developing many of the working methods of the kiln-formed glass movement. His contributions include pioneering the creation of imagery with frit and alternative mold-making techniques. He trained at Central Washington University as a painter, illustrator, and glassblower.

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