Pink Salmon
Pink Salmon

Pink Salmon

Art Glass Wall Sculpture (ID: A144400)
Designed by Michael Dupille
$2,025
$2,025 $2,025 /
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This beautiful kiln formed glass wall piece just swam upstream to be part of your art glass collection. Although Pink Salmon refers to the flesh color of this Pacific Northwest fish, the artist used his artistic license and portrayed in entirety of it as pink. This is part of Dupille's 'Spotted Oval Salmon' series. The complex process starts with a glass blank and cut oval dichroic glass shapes glued down. He adds piped glass lines to start forming the content, then an initial layer of crushed glass to add color and enhance the design. Flame worked glass rods are then placed to add visual and physical texture and dimension to the work. The piece is fired in an electric kiln a couple of times, adding more crushed glass between firings. Clipped clear glass rods are carefully placed and fired for an additional texture and to add light refraction to the piece. The work has an aluminum backing material with a built in hanging mechanism. Ready to hang and enjoy!
  • Ready to hang, wired
  • Signed by the artist
  • Materials: Glass
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Michael Dupille

Michael Dupille

"I enjoy seeing what materials combined with wry curiosity and imagination will manifest. I have been doubly blessed with a fertile imagination and the skill sets to self-actualize my ideas."

Dupille's imagery and concepts are mostly representational with imaginative twists. He targets ideas, concepts, and visuals which promote discussion and further the imagination of the audience.

Kiln-formed art glass is the artist's primary medium. Pieces are created as individual elements using fused crushed glass, fired multiple times in a kiln. The visual effect of the finished work has colorful, dimensional properties not found in other media. Dupille will occasionally employ metal work in conjunction with the glass art.

Primarily self-taught, Dupille worked with Boyce Lundstrom at the Camp Colton Glass Program near Portland, Oregon in the 1980s, developing many of the working methods of the kiln-formed glass movement. His contributions include pioneering the creation of imagery with frit and alternative mold-making techniques. He trained at Central Washington University as a painter, illustrator, and glassblower.

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