Hidden Sunset

Hidden Sunset

Hidden Sunset

Hidden Sunset

Giclee Print (ID: A37663)
Designed by Ken Elliott
$300–$790$240–$632(20% Off)
$790 $632 /
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Giclee print on heavy, archival paper. From an original oil on canvas. Paper size has three-inch deckled borders on each side. Signed at bottom right and numbered at bottom left. Limited edition of 195 with 15 artist proofs.

With "Hidden Sunset", the artist wanted to convey a scene that takes place after the brightest part of the sunset. Since the suns glare is reduced, the land and the cloud forms yield more detail in layer after layer.

It is amazing to work on the clouds and land in this way. The slightest change in color or shape can have a profound effect. The uppermost cloud section changed numerous times, much like cloud watching. The clouds would change slightly each time new paint was applied. There were a number of instances when the cloud was painting itself, yielding new forms and I was the watcher.

It was an interesting experience that the artist really didn't want to end but finally, all the shapes and colors came together it a way that accommodated the last light of the sun but just enough to add intensity to the colors everywhere.
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Ken Elliott

Ken Elliott

"Making giclees gives me an opportunity to revisit and improve upon my original works."

Ken Elliot's involvement in the art business has spanned over 40 years. He began as a picture framer, worked alongside an art restorer, and became an art dealer before beginning to draw and paint about 25 years ago. In his career, he's been fortunate to have seen remarkably good works of art and met some of the best painters in the field.

Elliot's focus is the landscape and its rich store of ideas and inspiration. He is compelled to work from the trees, skies, lakes, and streams in their endless variations. He doesn't try to recreate nature (even Monet said he never got it right) or attempt storytelling. Instead, his works are simplifications and exaggerations of nature. There was a time when he felt the tyranny of the landscape; that is, he felt limited by making pictures of a place. Now, instead of making pictures, he is free to make paintings—art that comes from nature but is far more reliant on the strategies of making good art objects.